About
Director/Choreographer Charlotte Vincent’s Look At Me Now, Mummy, is a comi-tragic one-woman show created with long-term Polish collaborator Aurora Lubos, eight months after giving birth to her first child.
Set in a dishevelled and chaotic kitchen, Look At Me Now, Mummy is an intimate, funny and moving portrait of a mother’s desire to look the part, whilst not really knowing what part it is that she is supposed to be playing. It’s about trial and error and theatrical failure, with a baby always crying somewhere in the distance.
Originally created in 2008, Look At Me Now, Mummy was restaged in 2015 as a 5-hour durational event / 50-minute production as part of 21 YEARS / 21 WORKS, a live and online collection of Artistic Director/Choreographer Charlotte Vincent’s film and production work that toured to Shoreditch Town Hall and Southbank Centre in London, Warwick Arts Centre in Coventry, Yorkshire Dance in Leeds and Brighton Festival 2015.
Director’s Notes
Look At Me Now, Mummy was made in late 2007, 8 months after Aurora happily gave birth to her first son. It’s a dark and intimate portrait of a woman tangled up in her own imagination, caught between conflicting roles as a performer and as a mother, never sure whether she should stay on or leave the stage.
Look At Me Now, Mummy reads like a series of unpredictable scenes from shows that will never be made, a number of fleeting, improvised ideas and that seem momentarily convincing, but don’t stack up to much. The work attempts to make things that are completely artificial try to appear natural. There is lots of space around each image. We are inviting an audience to see something so private.
Look At Me Now, Mummy is concerned with the choices a woman makes about making work or making babies, about being an artist or being a mother. It’s not representation, not an obvious story. The performer is dropping in and out of performance states, unsure of how to continue, or why to continue with the show.
It could be read as a game that a childless woman invents to pass the time. Or a tragi-comic portrayal of a woman who has lost a baby. Or a heart-rending portrait of someone yearning for the possibility of having a child. Or a woman on the edge of giving up. Or a lonely performer questioning her need for the show to go on.
Context
Made in 2008, Look At Me Now, Mummy was originally co-commissioned by Danceworks UK (South Yorkshire), The Point, (Eastleigh), Lakeside Arts Centre (Nottingham) and The Tron Theatre (Glasgow) and funded by Arts Council England.
Links
Still Alive by Aurora Lubos
Credits
Directed and Designed by
Charlotte Vincent
Artistic Director & Chief Executive (She/Her)
Charlotte formed Vincent Dance Theatre (VDT) in 1994 and has directed all the company’s collaborative work to date, on stage and on film. Vincent has also designed the work since 2005 and performed with the company until 2002. Vincent’s distinctive, contemporary choreography ‘stages ideas’ and embeds her own and her collaborators’ lived experience within the work, raising awareness of personal and political issues, breaking down the barriers between professional and non-professional performers and in VDT’s film installation and engagement spaces, between audience and participant.
Vincent is recognised as a sector leader in movement based socially engaged creative practice and creative health, particularly around her work with care-experienced young people and women at risk, championing gender equality and advocating for best practice to support parents and carers working in the performing arts. Her pioneering work on film ensired VDT were ‘covid ready and able to work through Covid and consequently allows Vincent’s work to be purposefully ‘applied’ in non-arts settings as well within conventional arts venues and settings.
Charlotte is an experienced speaker, lecturer and Mentor, working with early and mid-career artists to develop their creative practice and production work. Vincent has also worked as a director, dramaturg, and facilitator for other artists and companies, most notably Two Destination Language (Near Gone, winner Total Theatre Awards for Innovation and Experimentation 2014), Keira Martin (Here Comes Trouble Sadlers Wells Wild Card and Good Blood) and facilitating early R&D for Sue MacLaine’s Can I Start Again Please (2013).
In the past, Vincent has performed and collaborated with Professor Liz Aggiss as V&A Artefacts, curated an inaugural 4-week festival of experimental performance practice, Juncture at Yorkshire Dance in Leeds and co-hosted The Table, a forum to nurture dialogue across disciplines between established female artists with Dr Claire Macdonald. Charlotte sat on the Artists Advisory Group at Yorkshire Dance for several years and Steering Group for Dance UK’s National Choreographic Conference in 2013. Most recently she has been a driving force behind the development of the London Road Network in Brighton, a collaborative group of organisations and individuals working towards deeper interaction between arts orgs and grassroots organisations in one of Brighton’s more deprived areas.
Vincent is Safeguarding Lead for VDT, trained in Trauma Informed Practice, Mental Health First Aid, therapeutic parenting, and First Aid. She completed a Clore Leadership Short Course (2010), the Clore Programme for CEO/Artistic Directors (2011) and Clore Brave Conversations Programme (2013). Vincent is also trained in FA Football Coaching.
Vincent has written chapters and been written about in several Routledge Publications (resources) and PhD’s, and her work Art of Attachment lies at the heart of Dr Cath Lambert‘s imminent publication Troubling Adoption.
In 2023, Dr Vincent gained a PhD in Performing Arts from Canterbury Christ Church University, reflecting on VDT’s socially engaged practice, supervised by Professor Angela Pickard, Director of the Sidney de Haan Centre for Arts and Health.
Dr Charlotte Vincent lives in Brighton with her son, who loves mountain biking, fishing and gaming.
Performed and Devised by
Aurora Lubos
Artistic Associate
As an independent artist she created solo performances “Knife, Horse and Stairs.”, “Unfinished” and “Zanzibar”, and installation/performances “Still Alive” (2011) and “Food Cycle” (2011), ” Four corners” (2010), ” .No 1″ (2003), and several short animations “winter 2010”. In 2005 she was nominated to The Rolex Mentor and Protégé Arts Initiative. In the past she has worked extensively with Dance Theatre of Gdansk and Dada von Bzdülöw. She collaborated with Avi Kaiser, Tatiana Baganowa, Jerzy Mazzoll, Bronek Duży. With other three artist Jacek Staniszewski, Oskar Martin and Patrycja Kujawska she co-founded KLM’S Group and created “Te Takie Te”.
Aurora first came across VDT’s work when Charlotte was invited to Gdansk to workshop choreographic ideas as part of the Baltic University of Dance Winter Explosion festival. For VDT Aurora has performed in Caravan of Lies (1999), made and toured Drop Dead Gorgeous (2001), Let The Mountains Lead You To Love (2003), Punch Drunk (2004), Broken Chords (2005), Fairy Tale (2006), Look At Me Now, Mummy (2007), If We Go On (2009) and Motherland (2012-2014). Aurora lives in Poland.
Rehearsal Director
Production / Technical Manager
Mat Ort
Production Manager
Over the past 15 years Mat has worked as Production and Technical Manager for a diverse range of theatre, dance and arts companies delivering touring productions, site specific work, international arts festivals and numerous one-off site responsive commissions. Companies include Salisbury International Arts Festival, Inside Out Dorset Festival, Milton Keynes International Festival, Inside Out Dorset Festival, In Between Time Festival, The World Famous, National Theatre of Scotland, Frantic Assembly, Dreamthinkspeak, AndNow:, Bgroup, Vincent Dance Theatre, Theo Clinkard Dance, Probe, Unlimited Theatre, New Movement Collective, Stan Won’t Dance, Paines Plough and Trestle Theatre.
Original Lighting Design 2008
Photos
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Look at Me Now, Mummy, 2008, Photographer Credit: Matthew Simpson
Press
“Lubos captures the exhausted, surreal derangement that comes from being a new mother… It’s superb performances such as these, as well as Vincent’s own choreography, that have ensured the company’s survival”Judith Mackrell, The Guardian
“Charlotte Vincent is… one of the most important feminist artists working in Britain today”Luke Jennings, The Observer, March 2015
“...an inevitable descent into melancholy follows, which feels all the more harrowing thanks to our complicity in what has come before”The Herald
Audience feedback
“Loved it! Look At Me Now, Mummy made me hold my breath!”
Audience Member, March 2015
Charlotte's notebooks