A person in a dark dress is caught mid-motion against a dark background, with their hair flying and arm raised, suggesting energetic movement.

 

Vincent Dance Theatre produces work with people whose voices are often unheard, using socially engaged, trauma-aware and place-based practice to support creative health, deepen participation in the arts and challenge conventional models of how performance work is made and who it is made for.

Read more about VDT

A man and a woman embrace while dancing, dressed in white against a dark background. The woman's arm is elegantly raised, conveying grace and emotion.

What’s on

Vincent Dance Theatre’s current activity: projects, productions, screenings, CPD opportunities, workshops and events.

What’s on
A woman in a dark dress stands on a chair, writing names in white chalk on a large blackboard. The scene is minimalist and contemplative.

The Work

Two tImelines: VDT's Production work and VIncent's Special Projects plus associated archival materials and new resources that insight into three decades of original work.

The Work
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Participation

Explore VDT’s extensive participation work in formal education and informal community settings and see how you can get involved.

Participation
A person with short grey hair smiles warmly, standing in front of a dark, textured background. Their expression conveys friendliness and approachability.

Professional development

Explore VDT’s Continued Professional Development (CPD) opportunities to see how you can develop and improve your practice.

Professional development
Three people stand with raised arms facing a wall with chalk drawings. In front is a table with scattered items, set in a theatrical setting.

Resources

Explore a range of resources that offer real insight into Vincent’s choreographic approach to making socially engaged work.

Resources

About VDT

Read all about VDT’s mission, values, people and priorities.

About VDT

‘Meticulously detailed, working across generations, it’s more than dance. Charlotte is shouting in the spaces that matter.’

JUDITH MACKRELL, THE GUARDIAN