Press Reviews for “VIRGIN TERRITORY Live”
ThéâToile, 3 July 2017
Dans ce monde où tout va trop vite, les interprètes se heurtent à la vie et s’épuisent, accablés par les nouvelles technologies qui rehaussent ce phénomène. Les danseurs apparaissent, disparaissent, sont sous nos yeux comme des marchandises répondant à l’offre et à la demande. | In this world where everything is going too fast, the performers run up against life and are exhausted, overwhelmed by the new technologies... The dancers appear, disappear, are before our eyes as commodities responding to supply and demand.
paris-art.com, 23 May 2017
"Sur scène, métaphores visuelles et physiques se succèdent. | On stage, visual and physical metaphors follow one another."
Mowwgli.com, 29 May 2017
"La chorégraphe s’appuie sur des stéréotypes pour défoncer le tabou. On ne sait jamais vraiment quand et si on a le droit de rire. | The choreographer relies on stereotypes to break the taboo. You never really know when and if you have the right to laugh."
Telerama Sortir, 24 May 2017
Inconnue en France mais plus pour longtemps! | Unknown in France but not for long!
The Insanity in Dancing, 10 November 2016
"Vincent's coupling of adult bodies and young bodies is extraordinary. The four children crash and slam their counterparts with uncompromising commitment."
London Dance, 7 November 2016
“With a sensational cast of performers who combine technical skill with brilliant body language and emotional depth, Vincent delivers forceful messages through her poetic and political dance theatre.”
Dance Tabs, 9 November 2016
“It is a deeply uncomfortable work, made all the more so in Vincent’s stroke of genius to cast four child performers alongside four adults….. The torch that Vincent shines on the dichotomies in modern life is searching.”
A Younger Theatre, 5 November 2016
"“…performed by an eclectic cast of four professional performers, and four child performers – who are extremely impressive in their execution of both technical dance phrases and also theatrical/emotional intentions."
The Guardian, 6 November 2016
★★★★ "Brave…unnerving exploration of the sexualised imagery mobilised by smartphones and circulated inside classrooms"
Evening Standard, 3 November 2016
"This work asks important questions… Can what the internet has unleashed ever be put back in the bottle?"